"HELL BELOW, STARS ABOVE" -- the final pass, I swear it!

A big part of getting back into the swing of things is going through my rather large backlist of personal projects that have been started but never finished. Call it my "new year's resolution", if you will. I started going through my files of in-progress work and was stunned at how many ideas I had been tinkering with or nearly-completed but then abandoned either due to freelance work monopolizing my time or just from setting the thing aside and forgetting about it. Going through a housing move recently didn't help either, as all the stuff I had strewn about in my work-pile got packed away and fell victim to the out-of-sight out-of-mind rule.

Anyway, this is something that's been in-progress for far too long. It's time to polish this thing off once and for all, but not before retouching it a bit. A big problem with setting something aside for so long is that, inevitably, when I come back to it I'm not at all satisfied with how it looks or (perfectionist that I am) I simply look at it and think "I can do better". Actually, that may not be such a bad thing. Sometimes an artist can benefit greatly from stepping away from a piece for a while and coming back to it with "fresh eyes". That's a big part of the reason why I don't like to rush my illustrations and let them progress at a natural pace. Unfortunately, if I take too long on them, or rushed them in the first place, I usually just want to redo the thing 4 months later!

It's always good to have a few projects going on concurrently. This keeps things fresh and allows you to jump back and forth at your leisure, and keeps a piece (and your interest in it) from stagnating. I'm always doing this, but I think I've taken it to ridiculous extremes by allowing my backlog to bloat to an overwhelming size. I made a list of all the illustrations and personal projects I have in various stages of completion and there are about 30 items on the list (and I know I'm still forgetting some). So, while it's very hard for me to promise that I will not begin something new before finishing off the old stuff, I can at least try to complete 3 new illustrations before beginning one new one. Hopefully I can whittle this list down within the next few months and build up my portfolio nicely in the process.

Currently, I'm in the midst of inking this thing, as well as the first DONKEY KONG piece, as well as reworking the final revision pencils for both the UGLY STICK and CARRION, WAYWARD SUN t-shirt designs. Also tightening up the final drawing for the second DONKEY KONG piece. More updates soon!

"HELL BELOW ME, STARS ABOVE" -- Take two!

I guess you could call this a reworking of my original "Hell Below Me, Stars Above" piece. It's the same basic theme and layout(astronaut on rocky peak besieged by tentacles and claws, blasting away at the advancing hordes), just a bit modified. I have a bad habit of wanting to continually go back and tinker with old pieces I'm no longer happy with. I hope I don't spend the rest of my life going back and revisiting the same bunch of illustrations.

This is just the pencil stage, of course. I flipped the original and kind of like how it looks in reverse, reading more from left to right. Haven't yet decided which version I like. Inks and colors to come.

"HELL BELOW, STARS ABOVE" Part 1

This image is the result of an idea I'd been fiddling with for some time. The concept was borne when I realized that one of my favorite bands from the 90's THE TOADIES had actually released a second album several years ago that I knew nothing about. I immediately begin my search for the album to purchase it and the title of said album turned out to be... you guessed it: HELL BELOW, STARS ABOVE. Before I even got a hold of the album (purchased off ebay), I fell in love with that amazing title. Having not heard the actual song on the album of the same name, my head started conjuring up noble and pulpy images of a heroic astronaut/ space explorer stranded on an hostile alien world, on his last legs and overrun by swarming alien hordes crawling up from the depths of the rocky planet as he makes his last desperate stand on a rocky peak, laser guns blazing, suit in tatters, determined to take as many of the monsters down with him as he can. Wow. I immediately set to laying out an illustration based on these drawings. The result was compositionally nice, but poorly rendered. Something just wasn't being ignited in me that would enable me to really give it the juice. The song itself, once I heard it, has nothing to do with brave astronauts or teeming alien hordes, but is rather about the victim of a failed relationship confronting his ex with her "other man". It's a brilliant and moving sonic gem, and has become one of my favorite songs of all time, but it nothing to do with this image it has indirectly inspired.

Over the past year, I have reworked and redrawn this image several times. The astronaut's suit started out as very simple, but I've added a bit more detail with each run I've taken at it. I've also intensified the facial expression a bit more and just generally beefed up the linework and detail. I had originally drawn a piece that had very little lighting and shadown cues in the inking, thinking I'd handle that in the coloring stage, but I decided to go with a more E.C. Comics pulp vibe and really capture the lighting scheme with some more intense inking, allowing it to stand alone as a black and white piece.

During the course of the school year, one of our Advanced Illustration projects called for us to do an advertisement poster for a charity. Having fallen a bit behind in that class, I decided to truncate the conceptualization stage and use this image to represent the Comic Book Legal Defense Fund charity. It seemed to fit, thematically, with the underdog fighting tooth and nail against those that seek to "opress" him, so I decided to use it. So, I set about completely starting over with the image and redrawing it from the ground up. In the past, I'd just set the image on my light box and go over it with more detail and whatnot, but this time I decided to start completely over from a new rough layout, not only so I couldn't be accused of using an old, already finished piece for my project, but because I really wanted to knock this one out of the park, and this was a great excuse to start over.

I finished the clean-up pencils and began inking, but about halfway through my teacher mentioned I should submit this to the annual SPECTRUM competition when I was done. This sort of spooked me, I guess, and I realized that, while the pencils I had done were pretty solid and satisfying, the inking was not my best work. And so, I started over, yet again, having to re-pencil the entire thing. This time, I allowed the pencils to remain a little bit more loose than they were before, allowing me to be a bit more spontaneous and expressive with the inks. I'm quite pleased with the results. I had started coloring the piece to turn in (late), but having spent so much time on the piece already, the coloring job turned out to be rushed and lackluster. So, I'm starting over with the coloring stage. I may stay fairly monochromatic with it, but I'm not quite sure yet. Final color post will follow, as soon as it's done.